Micromega

Micromega by novaflash: Compact Power of Subtractive Synthesis

In a world of complex virtual instruments, sometimes efficiency lies in simplicity. Micromega by novaflash is just such an instrument: a compact subtractive synthesizer designed for quick work and the creation of dense, expressive sounds without unnecessary complications.

Micromega isn’t overloaded with excess functionality, focusing on the key elements of classic synthesis for quick creation of the desired timbre. Its main advantages are fast envelopes and instantaneous MIDI response, making it an ideal choice for live performances or dynamic studio production. It is equipped with four main sound sources: a sawtooth wave (SAW), a square wave (SQUARE), a sub-oscillator (SUB), and a noise generator (NOISE).

Oscillators (VCOs): The Foundation of Sound

Micromega offers two main oscillators and additional sources:

  • VCO1: Generates a sawtooth wave (SAW) with a rich harmonic spectrum, ideal for classic synthesizer sounds. Pitch adjustment in the range of ±6 octaves. The SOFT SUB function adds a sine wave one octave lower to boost low frequencies.
  • VCO2: Generates a square wave (SQUARE shape). The pitch is shifted relative to VCO1 by ±48 semitones. PHS (Phase Shift) shifts the phase of VCO2, adding volume when combining oscillators.

Common VCO settings:

  • MIX: Adjusts the balance between VCO1 and VCO2.
  • HRMC (Adjustable Harmonic): Adjusts the character of the harmonics, adding a unique color.
  • NOISE: Allows you to mix in white noise for percussive effects, textures, or adding “grit”. The amount is controlled by the Amount knob.

Filter (VCF): Shaping the Timbre

Micromega is equipped with a resonant low-pass filter (24 dB resonant LPF) to cut off high frequencies and change the brightness of the sound. Resonance adds a characteristic “singing” effect.

Cutoff frequency control:

  • ENV: HADSR-type envelope dynamically changes the cutoff frequency over time.
  • Velocity: Press velocity sensitivity controls the depth of the filter envelope’s influence.
  • KB (Keyboard Tracking): Links the cutoff frequency to the note pitch.

The DIST parameter is a special FM distortion that adds a unique “gritty,” aggressive, or metallic flavor.

Amplifier (VCA) and Dynamics

The final stage is the amplifier (VCA), which controls the volume.

  • ADSR: A standard envelope shapes the volume dynamics. Fast envelopes allow for creating sharp sounds.
  • Velocity slope: Additional control of volume sensitivity to pressing velocity.
  • Volume: General output volume control.

The GLIDE (Portamento) function allows smooth transitions between notes.

Conclusion

Micromega by novaflash is an example of how a minimalistic approach creates a powerful instrument. Compactness, speed, and thoughtful functionality make it ideal for producers who value simplicity, speed, and classic subtractive sound with a unique color thanks to Harmonic and FM distortion. If you need a reliable, fast, and sensitive synthesizer for basses, leads, or rich timbres, Micromega deserves attention.

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